Results tagged “Rehearsals” from Blogway Baby

Go, go, go see JOSEPH!

My daughter Trinity is in the children's choir for JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT at The 5th Avenue Theatre. She has been rehearsing since August, so it was quite a thrill to finally see opening night on October 15!

JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, with music by Andrew Lloyd Weber and Lyrics by Time Rice, is playing at The 5th Avenue Theatre from October 10 to November 1. Directed by James Rocco, choreographed by Jayme McDaniel and musical directed and conducted by R. J. Tancioco, JOSEPH stars American Idol's Anthony Fedorov as Joseph and Jennifer Paz as The Narrator.

Oh yeah, and fifty two kids!

And these kids don't just sit cross legged on the stage. They are woven into the show and megamix, acting, singing, dancing, carrying corn, candles, and coats!

This has been (so far, since there are still 21 performances to go!) an incredible experience for Trinity, working with professional actors, directors, musicians, design and production crew, hanging out with old friends and making new ones. Luckily for me, Trinity had a few friends who got into the show with her who live close by, so I've been able to carpool -- shout out to the carpool moms!

Everything in this show is original except for the costumes, which I believe are the same design as the ones used in the Donny Osmond DVD. That includes a totally rockin' megamix created by Ian Eisendrath, Albert Evans, RJ Tancioco, Dave Pascal and Davee C. And did I mention Billy Joe Huels (The Pharoah) and his flaming trumpet?

This show is so much fun from beginning to end and features some of the best Seattle talent around, including Rich Gray as Potiphar, Troy Wageman as Levi, Mo Brady as Zebulun, Dane Stokinger as Rueben, Shanna Palmer, Brittany Jamieson, and Charissa Bertels (just to name a few of the extremely talented cast!)

I left the theatre smiling, singing and ponying (of course, that's how I usually leave The 5th Avenue...).

Oh what a night! What a party! Our COCKTAIL NUTS Landing The Gig pilot was a sold-out success!

We had a great rehearsal Sunday night, and then Monday afternoon as well. The pictures in this post are from Monday's rehearsal.

As I was helping set up the chairs and put the candles on the tables I couldn't help but get a little freaked out...

Luckily, I was working with pros - cast, crew, ACT theatre. Whew!

It was a couple of minutes to 7:00 pm -- each table had a cocktail glass full of cocktail nuts, and we had lit the last of the candles...then they opened the house! The people started pouring in! My Matt Dusk CD was playing in the background, and soon the room was filled with chatter, and the clink of glasses (yes glasses, not plastic cups) as people helped themselves to the buffet of gourmet snacks, and tried one of two Vessel cocktails: The Callback (my personal fav, and A Contemporary Tipple). The Bullitt Cabaret was transformed! The joint was jumping!

It was so nice to see so many familiar faces who had come out to support our pilot, and even nicer to see faces I didn't recognize! People who had bought tickets because it sounded like a fun evening. Cool.

Drum roll please....ladies and gentlemen, welcome Rich Gray to the stage! Time to start the show!

Rich Gray was our fabulous host for the evening. He sang, he chatted with the guests, and he made us all feel at home! He started with a song If Someone Had Told Me, and then went into our signature theme song, Cocktail Nuts, in which the fabulous Marianne Owen had a surprise cameo.

Then Rich introduced Jessica Skerritt, currently in CHASING NICOLETTE at The Village Theatre. Her set included If You've Got it, Flaunt it, Running, and Can't Help Falling in Love .

Then it was onto something different. In each COCKTAIL NUTS we plan on showcasing something different -- perhaps an instrumentalist, or dancers or a comic...you get the idea. Well Bill Robison was our first "something different" and he did not disappoint! He did a hilarious act that involved fabulous physical comedy, reading minds with a microphone, and scotch tape. This guy was amazing!

Then Rich did a number called Heidi with an I, which included a very original lyric that rhymed with mountain climbin' (you had to be there).

Then it was time for the high school spotlight. In every COCKTAIL NUTS we plan to showcase a talented high school student. And what better way to start than with the talented Myrna Conn singing You There in The Back Row! Needless to say the audience went wild.

To cap off the evening in style, American Idol finalist Anthony Fedorov sang three gorgeous ballads -- one in spanish to boot. Sigh. Anthony is starring as Joseph in JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT at The 5th Avenue Theatre.

The Night Club Gentlemen came back for a swinging traveling medley, and then the whole cast signed off with the Cocktail Nuts goodnight song.

Thanks y'all. See you in December!

Someone give that man a microphone!

Seattle favorite RIchard Gray will be hosting COCKTAIL NUTS at ACT Theatre on Monday September 28.

What would a cabaret or variety show be without a host?

A great host wraps a show up in a big hug and presents it to the audience. A great host is excited by the talent he is hosting and gets a kick out of sharing that talent and enthusiasm with the audience. A great host is charismatic, funny, and a natural performer who is quick on his feet.

Ladies and gentlemen, may I present tonight's host...Richard Gray!

I first met Rich when I worked with him on The 5th Avenue Theatre's Adventure Musical Theatre program production of Northwest Bookshelf 2. I had two musicals in that show (Larry Gets Lost in Seattle, and Daisy the Firecow) and Rich was the director. He was such a pleasure to work with, so funny, so good with the actors and a real respect for the intelligence of his audience. So I thought, hey he's a great director.

Then I found out he had written a bunch of the musicals in that show, so I thought, hey, he's a great writer.

And then I would hear him play and sing stuff at rehearsals, and I thought, hey he's a great piano player and singer.

Then I started seeing Rich perform at ACT (A Marvelous Party) and The 5th Avenue Theatre (The Buddy Holly Story, Hello Dolly, Sunday In The Park With George), and I thought, hey he's a great actor.

And then I thought, hey, who is this guy?

From an article in Seattle magazine:

WHEN RICHARD GRAY SPEAKS, it's as if he is composing a song on the spot; he starts, stops and edits his word choice until he says precisely what he means. If you don't already know when you meet him that he is Seattle's very own Renaissance man—actor, writer, director, composer, pianist, lyricist, librettist—this running wordplay is your first clue.

And it's come in handy in his work. Many recognize Gray from Forbidden Xmas, the popular cabaret-style, 15-year-on-and-off holiday parody of local events and icons that he writes and performs in with other local singer/actors. Initially a scheme to cheer up a friend in mourning, Xmas, with its snappy, leave-you-humming songs such as "Starbucks Coffee Grinder Suite" and "The Bon Star Blues," became one of the key works of Gray's career—and also one that helped him define his own unique skill. After many years of production, however, Gray grew tired of simply parodying other songs. So he started composing his own works, both for Xmas and for other musical theater projects. "I said, 'Well, I’ll just write the whole song,' ' he says, "and I realized I was good at it."

He's so good at it, in fact, that the 42-year-old Gray has decided to sell his skills to the masses with Song Portraits, his custom songwriting service for special occasions. Think This is Your Life meets a pop ballad, musical theater number or country-western song—whatever your inner tune happens to be, Gray will find it.

"You have to trust me as you would a painter," Gray says about writing for a client. "I want my songs to be like the songs on the radio, when you're listening and you think, 'Oh my God! That's my life!'

Before the Song Portraits launch last July, he had already ventured out, writing songs as gifts for his father and his partner {Seattle magazine Flash Talk columnist Ernie Pino), as well as for his brother's wedding and for a tribute to Jack and Becky Benaroya in 2005. But the real success of his idea came when his Song Portrait package went to not one but two of the highest bidders—at $8,000 a pop—at the 5th Avenue Theatre auction this year.

This "musical genius," as Linda Hartzell of Seattle Children's Theatre calls him, has an unstoppable passion for the local arts scene. In the late '80s, when he moved to Seattle from his native Portland, where he also studied acting in college, he began arranging music in his first job for the now-defunct Bathhouse Theater Company in Green Lake. A lifelong pianist and self-professed ham, his combined talent made music arranging and composing easy.

In 1989, he became a frequent performer (as a pianist and singer) at the Rainier Tower's dinner theater restaurant Crepe de Paris, where he created Forbidden Xmas. His nonstop work since then includes serving as composer of the Seattle Children's Theatre musicals Little Rock in ’95 and Time Again in Oz in ‘99; composer and director of The Donk Sisters in '95 at Crepe de Paris; composer and performer of Gray Matter, a revue of his own career and just this year, conductor and musical director for 5th Avenue's The Buddy Holly Story.

And then I thought, hey, he'd be a perfect host for COCKTAIL NUTS!

The Bullitt Cabaret at ACT is a wonderfully intimate cabaret space, and tickets are going fast so I would recommend getting your tickets now!

Here's all you need to know about COCKTAIL NUTS with your host Rich Gray:

For an unforgettable evening of music, comedy, gourmet snacks and cocktails, come join our host Rich Gray as he celebrates "Landing The Gig" with:

Anthony Fedorov (from The 5th Avenue Theatre's upcoming JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, and AMERICAN IDOL)

Anne Allgood (from ACT Theatre's upcoming ROCK 'N' ROLL)

Jessica Skerritt (from Village Theatre's upcoming CHASING NICOLETTE)

The NightClub Gentlemen (the "almost" Rat Packers)

Also featuring appearances by Bill Robison and Myrna Conn

Tickets for this incredible night of entertainment are only $35.00 which includes complimentary gourmet snacks. And there will be a cash bar featuring an original COCKTAIL NUTS cocktail -- all cocktail and food service is by VESSEL, our neighborhood nightspot that Esquire magazine calls one of the “Best Bars in America.”

WHEN

Monday September 28, 2009

Door: 7pm for cocktails and complimentary gourmet snacks

Show: 8pm to 10pm

WHERE

ACT Theatre

Bullitt Cabaret

Union and 7th, downtown Seattle

TICKETS

For tickets, call the ACT box office at (206) 292-7676 or visit the COCKTAIL NUTS ticket page at acttheatre.org

We're back!

Yes, following last year's smash hit SAVE AS... (I get so many comments on that darn sweatshirt!) The Village Theatre's KIDSTAGE Company Originals program will be back for another exciting year of writing and performing an original musical! And I am pleased to announce that I will be back as Writing Mentor/Lyricist!

Here is the 411 from Suzie Bixler at The Village Theatre:

We are currently seeking writers and composers (ages 16-20) for our Company Originals program.

Company Originals is a program functioning out of Village’s KIDSTAGE division that produces theatre for young people by young people. For more than six years, Company Originals has produced shows using the best young talent in the area as writers and performers. Company Originals is also seen as a breeding ground for tomorrow’s top talents. In the last few years, Company Originals participants have gone on to college at Boston Conservatory, University of Washington, Tisch School of the Arts, University of Southern California Writing Program, Biola Film School, Cornish College of the Arts, Carnegie Mellon, Penn State, University of Arizona, College of Sante Fe, Occidental, Point Park, and many more, several on performing scholarships. Past participants have also performed locally at venues such as Village Theatre Mainstage, Seattle Children’s Theatre, 5th Avenue Theatre, Showtunes, The Paramount Theatre, Civic Light Opera, Seattle Public Theatre, and ACT.

KIDSTAGE Company Original productions are original musicals written by a student writing team, advanced performers, and emerging theatre artists. After a competitive audition process, students will create and perform their own original musical material under the mentorship and guidance of a professional writing, composing, and directing team. The program will culminate in a one night workshop to be performed on the Village Theatre Francis J. Gaudette Theatre. The process will also include additional workshop readings with musical theatre professionals and a Seattle school. The Company Originals production is written by, for, and about teens, and it addresses some of the most important issues facing teens today. Past original teen works include: trust me., Last Exit, In Your Eyes, A Perfect Fall, and Save As.

We are specifically looking for very committed writers and composers or those that are interested in learning more about these disciplines.

Writers will meet twice weekly (Mondays & Fridays) after school starting in October. Actors will join the process in January and a series of workshop readings starting with Seattle musical theatre professionals and a Seattle school will occur in February and March. The project will culminate with a staged reading of the musical on the Francis J. Gaudette Stage on Monday, April, 2010.

Tuition for the program is $500 (scholarships and work-exchange available for those who qualify.)

The application is due on September 18 and can be found on our website.

If you are interested in being an actor in the program, auditions will be in late November. Information will be posted on our web-site soon.

Thank-you!

Suzie Bixler

KIDSTAGE Programs Manager

Village Theatre

303 Front Street North

Issaquah, WA 98027

Office: (425) 392-1942 x147

One singular sensation of a movie!

Last night I went to the Landmark Harvard Exit movie theatre in Capitol Hill to see EVERY LITTLE STEP, the documentary about casting the revival of A CHORUS LINE.

FIrst of all, the Landmark Harvard Exit is one cool movie theatre! I'd never been before, and I almost drove right by it. The Landmark Harvard Exit is an old woman's club turned movie theatre.

From the theatre's website:

The theatre is located on a quaint, tree-lined street at the north end of Broadway, at Harvard and Roy on Seattle's Capitol Hill. The building in which The Harvard Exit currently resides was originally constructed as a clubhouse for The Woman's Century Club in 1925. The club continues to hold meetings in the lobby, although the building was sold in 1968 for conversion to a movie theatre. In the 1980s, a second auditorium was added in an unused ballroom space on the third floor of the building. One of the very first "art" theatres in Seattle, the Harvard Exit set the standard for the exhibition of independent film and foreign language cinema. Its large and glorious lobby retains a 1920s atmosphere, adorned with a fireplace, a grand piano and chandelier. A recent remodel adds a fully wheelchair accessible restroom on the main floor, expanded concession stand and an inside box office for those rainy Seattle nights.

I had seen the revival of A CHORUS LINE, so I was really excited to see the film. Also, a friend of a friend of ours, Natascia Diaz was figured prominently in the movie since it had come down to her and Charlotte D'Amboise for Cassie. I absolutely loved Natascia in JASQUES BREL at The Zipper.

What I didn't realize is how much footage we would get to see from the original 1975 production of A CHORUS LINE! As a "Hello 12, Hello 13" teenager I had lived and breathed that cast album (as a record of course) and sheet music when it was released, but had never seen the show until the revival in 2006.

Seeing Donna Mckechnie do The Music and The Mirror dance was unbelievable. She was other-worldly. Don't get me wrong, Charlotte D'Amboise was fantastic, but Donna Mckechnie defied description. You just have to see it. And she was just a wisp of a thing!

Broadway royalty right here in Seattle!

It was a little surreal to be honest. Seriously. I was only a few rows away from Bob Mackie.

Last night I went to The 5th Avenue Theatre's Spotlight Night for CATCH ME IF YOU CAN, the new musical premiering in Seattle starting July 23.

The theatre was packed, and there was a palpable electricity. Forget the fact that the event was free (yes, you heard me, free!), it was one of the most enjoyable, exciting nights in theatre I've had!

Spotlight nights are hosted by David Armstrong, the Producing Artistic Director of The 5th Avenue Theatre and are a great way to familiarize yourself with upcoming shows - hearing songs performed, learning the history behind the show, meeting the creative team, as well as gaining new, interesting perspective on shows you already know. The CATCH ME IF YOU CAN spotlight gave insight on the creation of an exciting, new musical!

The evening was divided into three acts:

Act I

The Incredible True Story!

David recounted Frank Abagnale's true crime adventures on both sides of the law and discussed this with special guest, Ken Kirkpatrick, President of US BANK, Washington State. Ken had actually hired Frank not so long ago to consult on bank security and fraud so he had lots of interesting anecdotes about this incredibly charismatic man (everyone throughout the evening commented on how charismatic Frank Abagnale is, and how he can walk into a room and suddenly command all attention!) and tips on how to avoid bank fraud - micro shredder and the uni-ball pen (it can't be erased from a cheque with acetone unlike other pens.) When Ken asked Frank whether it would be harder to pull of his fraud nowadays versus in the 60s, he said that today it would be far easier to do everything! Downloading logos, lifting signatures, wiring money...but I digress!

Act II

Meet The Dream Team

Songwriters Marc Shaiman and Scott Wittman (HAIRSPRAY), playwright Terrence McNally (THE FULL MONTY), director Jack O'Brien (HAIRSPRAY), choreographer Jerry Mitchell (HAIRSPRAY, LEGALLY BLONDE), musical director John McDaniel , and legendary costume designer Bob Mackie gave an inside look into how a Broadway musical is conceived and created. Marc Shaiman and Scott Wittman told the story of how they were looking around a bookstore and Scott saw a CATCH ME IF YOU CAN movie book on display and said, Hey how about that? So they bought it, and called Steven Spielberg the next day and they were on their way! I was most intrigued by the description of how they were taking the film and putting it on stage. They weren't going to compete with the movie's ability to show Frank's narrow escapes from the law or just put the movie on stage. Instead, The songs/scenes would be how Frank would view the characters as if they were in a big tv show spectacular. The mid 60s was the time of tv variety shows and specials, with a variety of musical styles from Frank Sinatra to The Rolling Stones. So, Marc and Scott went for a sort of Ed Sullivan Show soundtrack! It sounds very, very cool. We saw Bob Mackie's sketches for the costumes and they look absolutely fabulous. It was so special to be able to listen to this team talk about putting this show together.

The whole team agreed that four weeks of rehearsal might seem like a long time, but they have a lot of work to do so it will fly by!

Act III

Meet The Stars

Norbert Leo Butz, who plays the Tom Hanks FBI agent character Hanratty, Aaron Tveit, who plays Frank Jr., and Tom Wopat, who plays Frank Sr. all performed songs from the show (Fifty Cheques, I'm Good At What I Do, Happy Ending, Making Butter Out of Cheese, Seven Wonders). Wow, all three of these guys were amazing. I got chills!l And they also announced that Kerry Butler, and Felicia Finley (who played Linda in THE WEDDING SINGER) will be in the show. dThis is going to be an amazing cast!

Oh, and one more piece of trivia - the song that Neil Patrick Harris sang at the end of the Tony Awards night was actually written that night, over the course of the awards, by Marc Shaiman and Scott Wittman! They said it was like putting together a puzzle, and they had lots of options to go with depending on who won the awards (the Fonda/Honda rhyme never made it into the song!)

Hurry and get tickets to see CATCH ME IF YOU CAN live and in living color!

I am so excited for this year’s Tony Awards!

First of all, I’m glad they are done with that whole “we don’t need a host” thing that they did last year. Every awards show needs a host! Thankfully, Neil Patrick Harris will be hosting this year! My oldest daughter Myrna is currently watching old Doogie Howser episodes, and Neil Patrick Harris looks about 6 years old on that show! He didn’t look that young when I watched it!

And that electric keyboard musical theme! But I digress..

Most of all I am thrilled that Hunter Bell is nominated for best book for TITLE OF SHOW! I still remember my “first time” at the 2004 New York Musical Theatre Festival (NYMF), sitting on wooden bench, looking down at Hunter, Jeff, Heidi and Susan perform a show I felt they wrote just for me! I also remember laughing so hard I actually fell off that wooden bench. I’ve been following them (no, not stalking, just following) ever since, reading the TITLE OF SHOW blog, watching THE TITLE OF SHOW SHOW, and even watching Hunter compete in LEGALLY BROWN: THE SEARCH FOR THE NEXT PIRAGUA GUY.

So today as I was casually checking out their site, I noticed there is a “TONY VOTERS CLICK HERE” button on the site. I clicked through, only to be met with a login/password request. Foiled again! So it got me wondering – what marvels lie beyond that login page? What treats? Is it a portal into some kind of musical theatre wonderland?

Sadly, I may never know! All I know is that I’ll be tuned in to The 63^rd Annual Tony Awards on CBS at 8pm on Sunday June 7, with a glass of champagne in my hand, toasting all the wonderfully talented nominees!

My walk-on role in HELLO DOLLY at the 5^th Avenue Theatre!

The critics agree -- I was a hit!

At last year’s 5^th Avenue Theatre Gala, I bid for and won a walk on role in HELLO DOLLY. I was really excited, but it seemed like it was so far away for so long. Finally HELLO DOLLY opened on March 12 and my walk on was imminent!

The whole walk-on experience is amazing and so professionally handled. First, you pick your date and then you have to send them your measurements (gulp). Then as you get closer, you have your costume fitting! I tried on a petticoat, a day coat, a collar ruffle and some wonderful Mary Poppinesque lace up boots.

The evening of March 27 had arrived. At 7pm I was greeted at the stage door by a photographer and Lonnie Angle, who is the Special Projects Managaer at the 5^th Avenue Theatre (and trust me, I’m a special project!). The photographer started snapping shots and didn’t stop until I was in full costume!

First Lonnie showed me the show bricks! Every show that has played at the 5th Avenue Theatre has a personalized brick in the wall! It’s really amazing to see these artistic, amazing bricks (Sweeney Todd was my favorite). Then it was off to my dressing room – it even had a gold star with my name on it on the door! Yes, I had my own dressing room while Cornelius, Barnaby and Ambrose all had to share one, not to mention all the female interns squished into one dressing room! C’est la vie!

My dressing room was adorned with flowers, copies of my bio, a HELLO DOLLY poster signed by the cast, and a 5^th Avenue chocolate bar! I was joined by my daughter Myrna, who was a performance intern for the show (squished into the aforementioned intern dressing room!).

First I got into my costume, and chose a hat. I chose the beige gloves and the beige hat with the feathers to go with my beige costume (don’t pull focus!). Then it was off for tech talk! This was really, really fun and interesting. Not only did I get more pics take of me onstage, but I got to see how “the magic” happens backstage. The whole backstage is like a puzzle. To move a set piece, another set piece has to move first. And then there’s the stuff hanging from the celing. And by “stuff” I mean Irene Malloy’s hat shop! Large set pieces are dangling securely and have to be lowered and raised as needed. I saw the train on which I (and many others) would be riding for “Put on Your Sunday Clothes”. The train would be pulled and pushed by the stage crew – ouch!.The people who work backstage are truly the hardest working people in showbiz!

A quick rehearsal with  my wrangler (cast member Karen Skrinde) and I was done with my tech talk!

Just before the show started I was lucky enough to have my picture taken with lots of cast members – Pat Cashman (Horace Vandergelder), Krystle Armstrong (Ermengarde), Mo Brady (Barnaby Tucker), Rich Gray (Rudolph), just to name a few! Then it was off to make up and wig! I even have pictures of me in my flattering wig cap! I wore an auburn wig, and my hat. I was ready for my grand entrance.

The walk on role occurred in the reprise of the “Put On Your Sunday Clothes” number, as the train arrives. I waited in the wing during the first part of that number, which was thrilling. I was so close to the cast who were singing their hearts out! Then it was time! Cast members Ty Willis and Karen Skrinde guided me across the stage and onto the train where I proceeded to wave my arm off, and throw a thousand kisses as the train made its way across the stage! The lights! The music! It was thrilling!

Then it was back to my dressing room to de-costume and de-wig! Before you could say “holy cabooses” I was seated next to my husband and daughter Trinity in the theatre watching the rest of the show, which included my daughter Myrna who performed in a blonde wig in “Before The Parade Passes By”!

Thanks to Lonnie, cast and crew of HELLO DOLLY for giving me a magical night I’ll never forget!

Next year’s walk on roles were auctioned off at the 5^th Avenue Gala on April 18, 2009. Up next? Another starring walk-on role in ON THE TOWN!

BROADWAY FIT at the 5^th Avenue Theatre

(aka “this BROAD found a WAY to get FIT”)

Well, after months of intense sitting and typing, I thought I need to get the old circulation going again! But I needed some motivation, so I signed up for the 5th Avenue Theatre’s Broadway Fit spring class. For $150 I get class once a week from April 8 – June 10. That’s right every Wednesday from 6:30pm  - 7:45pm I’ll be rocking it out to Broadway tunes with class instructor Troy Wageman (who played Gaston in BEAUTY AND THE BEAST at Village Theatre and who appeared in CABARET and HELLO DOLLY at the 5^th Avenue Theatre).

This class is perfect! We do warm ups and then learn a dance combination to a Broadway song. Just the right amount of sweat and fun! The first class we learned a JERSEY BOYS combination to “Oh What A Night”. It’s really fun because I recognize the choreography from the show (mixed in with a litte Troy-ography) and I’m doing it!

I can’t wait to see what we do this week. The class takes place at DAT5 (Downstairs at the 5^th) and it is still full of SUNDAY IN THE PARK WITH GEORGE rehearsal props and such, so we had a little less room than we would normally. Once SUNDAY is on stage we’ll really be able to travel with our combination! Woot! Woot!

I’m pretty good at picking up the combinations, but I really need to work on my abs!

Inquiring minds want to know!

My blogger (andBlogher) friend Elisa told me that Foothill Music Theatre has started rehearsing for their summer production of Brigadoon.

If you're interested to see what they're wearing under their kilts, check it out at http://fmtcurrent.blogspot.com

For more information on Foothill Music Theatre, check out their website at http://foothill.edu/fa/brigadoon

And remember, if it's not Scottish, it's crap!