Results tagged “Academy Awards” from Blogway Baby

Broadway royalty right here in Seattle!
It was a little surreal to be honest. Seriously. I was only a few rows away from Bob Mackie.
Last night I went to The 5th Avenue Theatre's Spotlight Night for CATCH ME IF YOU CAN, the new musical premiering in Seattle starting July 23.
The theatre was packed, and there was a palpable electricity. Forget the fact that the event was free (yes, you heard me, free!), it was one of the most enjoyable, exciting nights in theatre I've had!
Spotlight nights are hosted by David Armstrong, the Producing Artistic Director of The 5th Avenue Theatre and are a great way to familiarize yourself with upcoming shows - hearing songs performed, learning the history behind the show, meeting the creative team, as well as gaining new, interesting perspective on shows you already know. The CATCH ME IF YOU CAN spotlight gave insight on the creation of an exciting, new musical!
The evening was divided into three acts:
Act I
The Incredible True Story!
David recounted Frank Abagnale's true crime adventures on both sides of the law and discussed this with special guest, Ken Kirkpatrick, President of US BANK, Washington State. Ken had actually hired Frank not so long ago to consult on bank security and fraud so he had lots of interesting anecdotes about this incredibly charismatic man (everyone throughout the evening commented on how charismatic Frank Abagnale is, and how he can walk into a room and suddenly command all attention!) and tips on how to avoid bank fraud - micro shredder and the uni-ball pen (it can't be erased from a cheque with acetone unlike other pens.) When Ken asked Frank whether it would be harder to pull of his fraud nowadays versus in the 60s, he said that today it would be far easier to do everything! Downloading logos, lifting signatures, wiring money...but I digress!
Act II
Meet The Dream Team
Songwriters Marc Shaiman and Scott Wittman (HAIRSPRAY), playwright Terrence McNally (THE FULL MONTY), director Jack O'Brien (HAIRSPRAY), choreographer Jerry Mitchell (HAIRSPRAY, LEGALLY BLONDE), musical director John McDaniel , and legendary costume designer Bob Mackie gave an inside look into how a Broadway musical is conceived and created. Marc Shaiman and Scott Wittman told the story of how they were looking around a bookstore and Scott saw a CATCH ME IF YOU CAN movie book on display and said, Hey how about that? So they bought it, and called Steven Spielberg the next day and they were on their way! I was most intrigued by the description of how they were taking the film and putting it on stage. They weren't going to compete with the movie's ability to show Frank's narrow escapes from the law or just put the movie on stage. Instead, The songs/scenes would be how Frank would view the characters as if they were in a big tv show spectacular. The mid 60s was the time of tv variety shows and specials, with a variety of musical styles from Frank Sinatra to The Rolling Stones. So, Marc and Scott went for a sort of Ed Sullivan Show soundtrack! It sounds very, very cool. We saw Bob Mackie's sketches for the costumes and they look absolutely fabulous. It was so special to be able to listen to this team talk about putting this show together.
The whole team agreed that four weeks of rehearsal might seem like a long time, but they have a lot of work to do so it will fly by!
Act III
Meet The Stars
Norbert Leo Butz, who plays the Tom Hanks FBI agent character Hanratty, Aaron Tveit, who plays Frank Jr., and Tom Wopat, who plays Frank Sr. all performed songs from the show (Fifty Cheques, I'm Good At What I Do, Happy Ending, Making Butter Out of Cheese, Seven Wonders). Wow, all three of these guys were amazing. I got chills!l And they also announced that Kerry Butler, and Felicia Finley (who played Linda in THE WEDDING SINGER) will be in the show. dThis is going to be an amazing cast!
Oh, and one more piece of trivia - the song that Neil Patrick Harris sang at the end of the Tony Awards night was actually written that night, over the course of the awards, by Marc Shaiman and Scott Wittman! They said it was like putting together a puzzle, and they had lots of options to go with depending on who won the awards (the Fonda/Honda rhyme never made it into the song!)
Hurry and get tickets to see CATCH ME IF YOU CAN live and in living color!

Mack David and Hal David -- Legendary Songwriting Brothers!
Wow, talk about songwriting talent running in the family! Mack and Hal David are brothers (Mack was older by nine years). Hal David is probably most famous for his collaborations with Burt Bacharach (“What The World Needs Now”, “Raindrops Keep Falling on My Head” just to name a couple!).
Now, I knew Mack David was a songwriter, but I never knew just how extensive and famous his song catalogue was, and that he sued Jerry Herman over “Hello Dolly”, claiming that it was partially taken from David’s “Sunflower”; they settled out of court.
Here is Mack David’s impressive bio off the fabulous Songwriters Hall of Fame website
Mack David was born in New York City on July 5, 1912. He originally thought of becoming an attorney, and attended Cornell University and then St. John's University Law School. When his younger brother Hal David was considering careers, Mack advised his brother against becoming a songwriter and urged him to take up a more stable profession. However, he failed to follow his own advice, and instead of following a career in law, Mack David began writing songs on Tin Pan Alley.
His song "Moon Love", written with Mack Davis and Andre Kostelanetz, and based on a theme by Tchaikovsky, was a hit in 1939. In 1945, he wrote the words for Duke Ellington's "I'm Just A Lucky So-And-So," and in 1947, he had a hit with a novelty number "Chi-Baba, Chi-Baba", written with Jerry Livingston and Al Hoffman.
While primarily a lyricist, David sometimes also contributed to a song's music, and he wrote both words and music for 1948's "Sunflower" (years later, he filed an infringement of copyright lawsuit over resemblences between this song and Jerry Herman’s “Hello, Dolly").
In 1948, David moved to Hollywood, where he became active in film and television. His songs were featured in the score for the Disney animated featureCinderella (1950), written with Jerry Livingston and Al Hoffman. These songs include "A Dream Is A Wish Your Heart Makes", "The Working Song", and the film's hit song "Bibbidi Bobbidi Boo", which was nominated for an Academy Award in 1950. For another Disney feature Alice in Wonderland (1951), the same team wrote "The Unbirthday Song". The nomination for "Bibbidy Bobbidi Boo" was the first of eight Academy Award nominations David would receive. The other nominations came for his songs "The Hanging Tree" (1959, title song, with Jerry Livingston), "Bachelor In Paradise" (1961, title song, with Henry Mancini), "Walk On The Wild Side" (1962, title song, with Elmer Bernstein), "It's A Mad, Mad, Mad, Mad World" (1961, title song, with Ernest Gold), “Hush, Hush, Sweet Charlotte" (1964, title song, with Frank De Vol), "The Ballad of Cat Ballou" (1965, from Cat Ballou, with Jerry Livingston), and "My Wishing Doll" (1966, from Hawaii, with Elmer Bernstein.).
Another great success came in 1950, when he wrote the English-language version of "La Vie en Rose" (French lyric by Edith Piaf, music by Louigny). And in 1961, the Shirelles had a hit with his song "Baby, It's You", written with Burt Bacharach (whose collaboration with Mack's brother Hal David has become legendary) and Barney Williams. Mack David and Jerry Livingston wrote theme songs together for many successful television series, including Caspar the Friendly Ghost, 77 Sunset Strip, Hawaiian Eye, Bourbon Street Beat and Surfside 6. Their theme song “This is It” for 1960's The Bugs Bunny Hour also became a hit. In addition to those already mentioned, Mack David's collaborators included John Green, Jimmy Van Heusen, Alex Kramer, Joan Whitney, Count Basie and Franz Waxman. Mack David died on December 30, 1993 at his home in Rancho Mirage, California.
Boy, I'm really glad he decided not to become a lawyer!

