Recently in Seattle Category

Despite the Super Bowl and beautiful sunny weather yesterday afternoon, the Bagley Wright Theatre at Seattle Repertory Theatre was packed. Not surprising, because the closing performance of Bill Cain's HOW TO WRITE A NEW BOOK FOR THE BIBLE was playing. I was excited to get a rush seat, since the last Bill Cain play I saw at the Seattle Rep was EQUIVOCATION, which is one of my favorite plays of all time.

This production HOW TO WRITE A NEW BOOK FOR THE BIBLE, beautifully directed by Kent Nicholson, was a world premiere co-production with Berkeley Repertory Theatre. Everything about this production was amazing -- I laughed, I cried -- no really, I did! The play featured an awesome cast -- Linda Gehringer, Tyler Pierce, Aaron Blakely and Leo Marks (who deftly played a number of roles). Also fabulous scenic design by Scott Bradley and lighting design by Alexander V. Nichols.

From the website:

Writers are told to write what they know. But as Bill Cain discovers in writing about his own family, sometimes those we are closest to are the biggest mysteries of all. From the writer of Equivocation comes a beautiful new play taken from Cain’s own experiences caring for his dying mother. He asks the questions that speak to the heart of every family: What will never change…and what has to? A Jesuit priest as well as a playwright, Cain brings a fascinating view to this simple, powerful illustration of why the details of our lives and loves matter.

Hopefully it will be headed to Broadway in the future. If you get a chance to see this beautiful, touching, funny, true play, then run, don't walk to get tickets!

I am thrilled to announce that Myrna Conn will be starring as Little Voice ("L.V.") in Artswest's Seattle premier of THE RISE AND FALL OF LITTLE VOICE by Jim Cartwright, running March 7 to March 31, 2012.

Rehearsals have finally started and ArtsWest has put together a stellar cast: Myrna Conn, Peggy Gannon, Pat Haines-Ainsworth, Daniel Reaume, Jesse Smith, and Travis Tingvall.

Christopher Zinovitch is directing, and Kim Dare is Music Directing.

From the Season Brochure:

Little Voice is a young woman with a hidden talent: she can emulate every chanteuse from Judy Garland to Edith Piaf. She hides in her room, crooning and dreaming of love, while her disheveled mother, Mari, mistakes a seedy talent agent's interest as affection rather than enthusiasm for the gold mine buried in her daughter's throat. An engaging fairy tale of despair, love, and hope as "L.V." finds a voice of her own.

I first fell in love with this story when I saw the 1998 movie starring Brenda Blethyn, Jane Horrocks and Michael Caine.

I'm also excited for this production because I wrote the song that LV sings at the end of the show!

Stay tuned for more info, and get your tickets  now before they sell out!

Last Saturday night I got Sauced! I know what you're thinking, "Suzy you always get sauced on Saturday nights!". But no, this was different!

I went to see CAFE NORDO SAUCED: Cocktails and Smokin' Music at the Theo Chocolate Factory. This was my first Cafe Nordo event, and my first Theo Chocolate Factory visit! When I first heard of SAUCED, I was intrigued - music, theatre, cocktails...served up in a chocolate factory? Yes!

SAUCED has a story/concept by Erin Brindley and Terry Podorski, with Nordo Lefesczki "in the shadows" of the kitchen. Murray Stenson is the cocktail Designer. Murray was just named "Best Bartender in America", and judging by these cocktails, it's true!

From the website:

This fall, Cafe Nordo returns to Fremont with Sauced, one part historical tour of mixology, one part film noir thriller, shaken and served up with a dash of the surreal. Fedoras nod to the beat of original jazz tunes performed love as four of the top performers in Seattle deliver salty one-liners and perfectly-poured classic cocktails to an intimate audience. Paired with each cocktail is Chef Nordo Lefesczki's interpretation of bar food: deconstructed, reconstructed, and then deconstructed again. As per the laws of Café Nordo, only the finest local, sustainable ingredients are served, and local craft distilleries provide the booze.

We were greeted by "Efie", a speakeasy waitress wearing fish net stockings who showed us to our table and served us up the first of our cocktails, "The Slippage" along with some delicious hot nuts! I love it when the waitresses are part of the show. As the show progressed (helmed by the joint's bartender Saul Needle, played like Rick from Casablanca by Ray Tagavilla) we were served more cocktails paired with food: "The Secret Kiss" with a pickled plate, "A Box of Nails", served with a fried lemon and fried stuffed jalepeno, and the delicious and mysterious Nordo Elixir served with desert. The Cocktails were delicious, but the nicest surprise was that the food was amazingly delicious! You can also buy more drinks a la carte if the cocktail flight isn't enough to wet your whistle.

Billie Wildrick stars as Charlotte Bright, "torch singer extraordinaire", and Mark Siano plays Mike Binnet, the owner of the gin joint and Opal Peachey plays Valerie Rush, Mike's long-suffering wife. Maridee Slater is Efie, our waitress, and Dana Blasingame was Irene, the other waitress. The music was great - some jazzy standards (eg. Love For Sale) mixed with new songs by Anastasia Workman, who also played the piano. Matt Manges was on drums. This "cocktail theatre" is so much fun that we've already planned to return before the end of the run on November 13.

Get your tickets now!

Saturday night I went to see the 8pm show of the first weekend of 14/48. This was my first time, so I didn't know quite what to expect. What I did know was that Kathryn Van Meter would be directing one of the plays, and Jon Lutyens would be performing in one of the plays!

14/48 is the world's quickest theater festival. By that they mean they write, cast, direct and perform 14 plays in 48 hours. Which breaks down to 7 plays in 24 hours. Oh, and there's a totally cool band. 14/48 is produced by Three-Card Monty and One World Theatre.

The theme for the seven plays I saw Saturday night was "Pop Goes The Weasel". This theme was picked at random from audience suggestions on Friday night around 9:30pm. Then the seven writers scurried off to write the seven plays, and the next day they were rehearsed and then performed with costumes and props for us at 8pm, and again at 10:30pm.

It was a blast! 14/48 was held at Theatre Off Jackson and the place was packed. The plays were varied in style and in how they interpreted the theme, but they were all great. Kathryn directed "A Cock and a Carnation", and Jon performed in "And Nothing Too". Too much fun!

Next weekend will be all new directors and actors and themes. Get your tickets for next weekend now!

Here's one for your "Must See" list -- SIDE SHOW at ArtsWest in West Seattle!

I went to opening night on Wednesday and LOVED it!

I didn't know too much about SIDESHOW before last night (other than the fact that Emily Skinner and Alice Ripley starred in it on the Broadway) so I was excited to see the show itself, in addition to seeing my daughter Myrna in the show.

SIDESHOW (book and lyrics by Bill Russell, music by Henry Krieger) is directed by Christopher Zinovitch and choreographed and musical directed by Troy Wageman. SIDESHOW is a musical about Daisy and Violet Hilton, conjoined Twins who make a change from being a circus act to becoming famous stage performers in the 1930s.

This show is awesome. From the opening number "Come Look at The Freaks" I was hooked. The direction and choreography are compelling, the costumes are awesome and the actors are totally invested in this show. Great singing, great dancing and great violin playing (courtesy of Myrna)!

Last night I sat "on stage" and it was a really cool experience seeing the show from a different perspective.

That's Myrna in the blonde wig and fat suit playing Dolly Dimples!

Get your tickets now. There are only five more shows left!

There are times when you think, "gee, does it get any better than this?". Yesterday was one of those moments. Just minutes away with free parking, Luther Burbank Park on Mercer Island was our destination on a glorious sunny summer Sunday afternoon. The temperature was perfect -- not too hot, not too cold. We carried our amazing chairs on our backs (I say amazing because I get non-stop compliments on them, whether at swim meets or at free Shakespeare in the park) to the Luther Burbank Amphitheatre to see a FREE production of Seattle Shakespeare Company Wooden O's OTHELLO. As we settled into our chairs, perfectly shaded from the sun and surrounded by gorgeous greenery, the show began. Sigh.

I find it a little odd that the older I get, the easier it is for me to understand Shakespeare. Consequently, the more I enjoy it. I remember in high school it was like seeing a show in another language without subtitles. But sitting there yesterday, watching the show, I forgot I was watching "Shakespeare". I laughed, I was on the edge of my exceedingly comfortable seat, and I followed the story like I would any contemporary play. Maybe because the acting and directing were so darn good! No really, the cast was superb, the pace was quick. I understand they cut these plays down to 90 minutes for these park presentations -- it is probably a good idea to avoid an intermission in this setting. The whole cast was fabulous, and my favorite characters were Iago (George Mount), Roderigo (CT Doescher), and Emilia (Heather Hawkins).

Next up, MUCH ADO ABOUT NOTHING. Maybe I'll bring some munchies and have a little picnic.

Go see some some fabulous theatre now. In a park. For free.