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Monday October 26 I had a once in a lifetime opportunity to meet both Stephen Sondheim and Frank Rich.

I attended STEPHEN SONDHEIM A LIFE IN THE THEATER, AN ONSTAGE CONVERSATION WITH FRANK RICH at Benaroya Hall.

We (of course this night was a Conn family event) started the evening off at a 6:30pm reception in the Founder's Room hosted by David Armstrong, Producing Artistic Director, The 5th Avenue Theatre, and Dennis Coleman, Artistic Director, Seattle Men's Chorus /Seattle Women's Chorus. Delicious food, yummy wine, and what a beautiful room!

We were there not just for the wine and food, but to meet Stephen Sondheim and Frank Rich! So as soon as Stephen entered the room, the Conn family made a beeline for him! Wow, what a friendly, gracious and talkative man! We introduced ourselves, told him what huge fans we were, told him that INTO THE WOODS is Trinity's favorite show, and that Myrna was The Baker's Wife in INTO THE WOODS at Village Theatre Kidstage. Stephen congratulated Myrna on nabbing "the best role" in the show. He asked about the production - what was the orchestration, how much rehearsal time etc. I was then able to inform Mr. Sondheim that the girl who had played Little Red in that same show (Keaton Whittaker) was going to be in the Broadway production of A LITTLE NIGHT MUSIC. This was news to him, since he had left New York just days before the role was cast! So, I was able to tell Stephen Sondheim something he didn't already know. My husband went on to tell Stephen how much he loved COMPANY.

My husband and I had a fun, but brief, talk with Frank Rich, and he seemed genuinely pleased that we had both read and enjoyed his memoir Ghostlight

After more chatting with friends, it was almost 8:00pm -- time to go to the presentation! Boy, did that hour and a half pass quickly.

We had a great view of the two chairs on stage as David Armstrong and Dennis Coleman introduced Stephen Sondheim and Frank Rich! What a fun evening. Frank was a great host/moderator, and Stephen spoke at length about his past shows, experiences, musical influences (Ravel, Harold Arlen, Cole Porter...) collaborators (James Lapine, Hugh Wheeler, George Furth, John Weidman...), producers (Hal Prince...) and other celebrities ( Ethel Merman, Ingmar Bergman, and Elaine Stritch, to name a few).

One funny story was when he was working on COMPANY and trying to figure out what song to write for Elaine Stritch. He went out for a very late night cap with her and the bar was closing up. She told the bartender, "all I need is a bottle of vodka and a floor plan". Hmmm, I can see where "The Ladies Who Lunch" came from!

Another was Hermione Gringold's audition for A LITTLE NIGHT MUSIC, where she took off her wig to expose a bald head. She was hired on the spot.

Frank read some questions that had been submitted by the audience. For example, what do you do if you're stuck on a lyric ? Stephen answered, call my collaborator!

He then told us about the Parisian production of A LITTLE NIGHT MUSIC, which he was very interested in seeing because it is going to star Kristin Scott Thomas and wait for it...Leslie Caron!

Too soon the evening was over and we were on our feet applauding. It was a night to remember!

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Anthony Fedorov will be performing at COCKTAIL NUTS on Monday September 28 at ACT Theatre.

Anthony is starring as Joseph in The 5th Avenue Theatre's upcoming production of JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT.

Oh, and he was also a runner up on a little-known show called American Idol!

I hate to disappoint his fans, but he won't be wearing his JOSEPH loincloth at COCKTAIL NUTS...

Here's the 411 on Anthony from The 5th Avenue Theatre website:

Born in Yalta, Ukraine, Fedorov came to America at the age of 9 and eventually settled with his family in Bucks County, Pennsylvania. While still a toddler Fedorov had to undergo an emergency tracheotomy because of complications from a birth defect and doctors predicted he would lose all ability to speak. But after a miraculous recovery, Fedorov regained the use of his voice and soon developed a passion for singing. Throughout his teens he could be found shuttling between Pennsylvania and New York City, singing whenever and wherever he had the opportunity.

Following his success on American Idol the 24 year old singer has gone on to a variety of music, television, and theatre projects including being a contestant on Celebrity Fear Factor, serving as a guest judge on MTV’s Little Talent Show as well as appearances on the Tonight Show with Jay Leno, The Ellen Degeneres Show, Live with Regis and Kelly, and The Tony Danza Show. He recently made his New York stage debut as “The Boy” in the current Off-Broadway revival of The Fantasticks and earlier this summer he starred in Lyric Theatre of Oklahoma’s production of Joseph And The Amazing Technicolor Dreamcoat.

His dynamic rendition of “If You Don’t Know Me By Now” on American Idol garnered acclaim from the show’s judges who compared him favorably to Clay Aiken.

TIckets are going fast, so buy yours now!

Here's the 411 on COCKTAIL NUTS with your host Rich Gray:

For an unforgettable evening of music, comedy, gourmet snacks and cocktails, come join our host Rich Gray as he celebrates "Landing The Gig" with:

Anthony Fedorov (from The 5th Avenue Theatre's upcoming JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, and AMERICAN IDOL)


Anne Allgood (from ACT Theatre's upcoming ROCK 'N' ROLL)


Jessica Skerritt (from Village Theatre's upcoming CHASING NICOLETTE)


The NightClub Gentlemen (the "almost" Rat Packers)


Also featuring appearances by Bill Robison and Myrna Conn


Tickets for this incredible night of entertainment are only $35.00 which includes complimentary gourmet snacks. And there will be a cash bar featuring an original COCKTAIL NUTS cocktail -- all cocktail and food service is by VESSEL, our neighborhood nightspot that Esquire magazine calls one of the “Best Bars in America.”


WHEN

Monday September 28, 2009

Door: 7pm for cocktails and complimentary gourmet snacks

Show: 8pm to 10pm


WHERE

ACT Theatre

Bullitt Cabaret

Union and 7th, downtown Seattle


TICKETS

For tickets, call the ACT box office at (206) 292-7676 or visit the COCKTAIL NUTS ticket page at acttheatre.org


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September is Back to Broadway month!

From the Back2Broadway website:

To celebrate the kickoff of the new theatre season on Broadway, September has been named Back2Broadway Month and there are lots of fun, free events to enjoy, including talk-backs, concerts, and more. Enter our site to find out more about our exciting events, special show offers, great dining deals, and interact with us all month long!

I don't know about you, but I am so pumped to see Cheyenne Jackson in FINIAN'S RAINBOW. We did that show in high school and I was the best darn ensemble member in the cast, if I do say so myself.

And what a line-up on Broadway!

Just to mention a few:

MEMPHIS, NEXT TO NORMAL, WEST SIDE STORY, THE 39 STEPS, WICKED, IN THE HEIGHTS, HAIR, SHREK, JERSEY BOYS, MARY POPPINS, BILLY ELLIOT, CHICAGO, ROCK OF AGES, MAMMA MIA, BURN THE FLOOR, BYE BYE BIRDIE, SOUTH PACIFIC, THE PHANTOM OF THE OPERA, AFTER MISS JULIE, THE LION KING....crazy good!

Methinks it is time to go to New York for a wee visit!


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Shine a Light on Camp Broadway!


My oldest daughter Myrna was lucky enough to attend Camp Broadway in New York a few years back and it was indeed a life-changing experience. Not only did she work with Broadway professionals, it was with Camp Broadway that she was able to attend the Tony Awards hosted by Hugh Jackman. And, her picture still comes up on the Camp Broadway website.


Camp Broadway has really grown over the years thanks to a dedicated and hard-working staff. So when I got this information from Susan Lee, I wanted to share it with y'all right away!


I wanted to make you aware of an exciting opportunity for Camp Broadway...

Later this afternoon Mrs. Patricia Smith (a mom whose daughter was given a scholarship to attend Camp Broadway this summer) is going to nominate Camp Broadway in American Express' "Shine A Light" Competition, a national search for a small business that has had a positive social impact on their community. To be eligible, (1) the company must be a private, independently-owned and operated business, (2) organized for profit and operates primarily in the US, (3) has less than 100 employees with revenues under $10 million and (4) accepts the American Express card. Camp Broadway is eligible.

The judging will be based on: An inspiring story about a small business that has devised a new way of working in order to survive tough times ("innovation"), still finds ways to give back to the community, even when staying afloat is a challenge ("community") and continually demonstrates a "customer first" mentality, and during challenging times recognizes that connections are more important than ever ("customer service).

Once the nomination is posted it needs to get a minimum of 50 votes NO LATER THAN September 13 at 11:59 PM ET to be considered by the judges. Our team is hereby requesting your support of our nomination... Please go to http://shinealight.ivillage.com/ later tonight or soon thereafter and vote for CB if you believe our work over the last 15 years merits consideration. We believe there is an opportunity for you to add your own comment about how we have helped you, your family, a person you know and/or the community at large. If you have something nice to say, we would appreciate your adding it to the nomination.

You might also take a moment to review the other nominations. I hope you agree that we are worthy to be considered in this group.

The winning small business will receive $50,000 and $50,000 in marketing support. Someone has to win...why not Camp Broadway? You can encourage your friends around the country to vote for us too if you believe that a little company that is dedicated to theatre arts education for kids, whether or not they can afford it, deserves a helping hand.

Our staff, teaching artists and all the kids we work with appreciate your support (now as always).

Love and thanks,

Susan


What are you waiting for? Vote!

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Elizabeth Lucas, a friend of mine in New York, sent me this email.

Sounds like a super cool movie! Don't miss it at the New York Musical Theatre Festival!

From the email:

Three years ago I began a project that has grown into the most extraordinary experience of my professional life, the rock movie musical CLEAR BLUE TUESDAY.

CLEAR BLUE TUESDAY is a movie of and about New York City, developed by a community of actor/singer/songwriters from the rock clubs, comedy clubs and Broadway theatres of New York. We rehearsed for nine months, developing fictional narrative out of improvisation and conversation about what it means to be a New Yorker and an American post-9/11. The actors wrote the songs they sing. The spirit of the movie is such that donations have been generous and have given us production value well above and beyond our budgetary means. We shot for free inside 7 World Trade Center, the Ritz Carlton andRockefeller Center. Dozens of artists contributed their paintings. Our extensive special effects were entirely donated. The movie is thoroughly unconventional and independent in the truest sense of the word, neither political nor treacly, made with humor, humanity and craft.


I am so proud of what we came up with and would love to share it with you. We are premiering the results next Thursday, September 10th. Please join us.


We’ll be screening at the SVA, a newly renovated facility with top of the line High Def projector and sound equipment, and the second largest screen in New York City. This presentation is the movie in its best possible form.

You can view the trailer on our website at www.clearbluetuesday.com. Edited by Alex Hammer, the trailer is a beautiful representation of the movie. If it moves you at all, don’t miss this screening.


You are invited to the World Premiere of the musical movie CLEAR BLUE TUESDAY, premiering as part of the New York Musical Theatre Festival!


WHERE: SVA Theatre, 333 West 23rd Street

WHEN: Thursday, September 10
7:00pm and 9:15pm

TICKETS: $20 (includes post-screening Q&A)

FOR TICKETS:www.nymf.org/clearbluetuesday

VIEW THE TRAILER:www.clearbluetuesday.com

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If you are looking for something free to do at 4:00pm in New York on Monday August 31, why not check out the industry reading of the new musical FLYER ...

From the press release:

Fresh from its premiere Equity Regional Production in Delaware , Flyer, an award-winning musical based on the majestic and turbulent lives of the Wright Brothers, comes to NYC with a one-night reading presentation at the esteemed Florence Gould Hall Theatre next Monday, Aug. 31 at 4:00 pm.

Flyer was the first recipient of an unprecedented two-time (consecutive years) ASCAP / Disney Workshop Award for its Co-Composer/Lyricists Dan Tramon and Diana Belkowski. The second ASCAP award given was for their musical, Rocket Boys (film version known as October Sky with Jake Gyllenhaal), which had its own premiere last year in Huntsville, AL. Directed by Carl Anthony Tramon (SDC), Flyer was initially presented at the Lamb’s Mainstage Theatre in NYC, followed by a week-long stay as part of North Carolina's NASA/Smithsonian 2003 'Festival of Flight. It was also presented in abridged concert form at Oklahoma City University in 2006.

Dan and Diana have long-collaborated for the Broadway community and beyond, also composing for jingles, multi-media, and both Presidential and gubernatorial campaigns. Carl has been performing on stage since 3 yrs old, and directing professionally for the past 5 years. The current Flyer cast includes Billy Clark Taylor (Wilbur), Michael Mott (Orville), Natalie Newman (Kate), Beau Allen (Milton), Sabina Petra (Susan), and Trip Plymale (Charlie).

This year marks the 100th Anniversary of the Wright Brothers’ very first plane sold. 2009 also celebrates the Centennial of the renowned Paris Air Show, which figured greatly in Wilbur and Orville’s path to notoriety. However, the message of Flyer is timeless, as the story is as much about the complex influences that nurture or inhibit potential as it is about a child’s dream to fly.

The Florence Gould Hall is the premier theater of the French Institute Alliance, and is located at 55 East 59th Street in Manhattan. Tickets are free, and may be reserved online at www.flyerthemusical.com.

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My oldest daughter is looking forward to the last few weeks of summer vacation. Why? because when August arrives, so does The 5th Avenue Theatre's Summer Musical Theater Camp! This will be Myrna's 3rd year at The 5th Avenue's Summer Musical Theater Camp.

This is such a great camp for a number of reasons. First off, this is a skills based camp, where the kids are taught all facets of musical theater (singing, dancing, acting, etc.) and is not just focused on getting a show up. They are exposed to material from everything from golden age musicals to the current shows on Broadway. The parents don't see the final showcase, because the kids perform for each other. This means they can spend the full two weeks learning new material, new skills and then perform for their peers and the staff. Secondly, they are taught by working professionals both from the Seattle area, and from New York. I can't tell you how many times we've seen shows at The 5th Avenue where Myrna has pointed out people on stage who taught her in camp! That kind of access is invaluable. Finally, they create a really supportive environment and she has made really great friends there.

Here is Myrna singing at last year's final showcase!


From the 5th Avenue Website:

Summer Musical Theater Camp

For Aspiring Performers in Grades 7-12
Student Workshop

Do you love to sing dance and act? The 5th Avenue Theatre is proud to offer a unique professional training experience designed for the aspiring middle or high school musical theater performer. This camp offers young performers the special opportunity to gain insight into the life of the professional musical theater artist as well as build the skills necessary to be a successful performer. During this two-week immersion experience students will train like professionals and develop the skills and techniques used by Broadway performers. All classes, studio workshops and master classes are taught by working theater artists with extensive professional credits on Broadway, at nationally recognized musical theatre companies, and at The 5th Avenue Theatre.

Dates: August 10-22, 2009
Week one: Monday-Friday
Week two: Monday-Saturday

We are excited to offer two wonderful opportunities for ages 12-18: a Junior Camp and a Senior Camp. Both camps offer classes in dance, voice and acting and the final day will culminate in an informal presentation where students share their work with one another.

    * Junior Camp for ages 12 -13: This year we have two sessions of Junior Camp to choose from: 10:00am-2:00pm or 2:00pm-6:00pm. Students will take classes in dance, voice and acting for musical theater.
    * Senior Camp for ages 14-18: 10:00am-6:00pm. Students will take classes in dance, voice and acting for musical theater and participate in afternoon master classes and studio workshops.
      *The 5th Avenue Theatre does not provide housing for camp participants

For information, contact Anya Rudnick at 206 625-1418 ext 234 or
arudnick@5thavenue.org.
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Television Gold! (or is that Television Yellow?)

I first saw Mitzi Gaynor in the movie musical Anything Goes with Bing Crosby and Donald O'Connor. One viewing of Mitzi doing "Blow Gabriel Blow", "Anything Goes" and "It's Delovely" and I was a huge fan! Such a fan, in fact, that the name "Mitzi" was on the short list of names for my second daughter (as was "Velma" and "Gladys"...I stopped short of "Daisy Mae").



My wonderful husband of 22 years bought me "MITZI GAYNOR RAZZLE DAZZLE! THE SPECIAL YEARS" for my birthday. Wow! This is an amazing must-see DVD.

From the DVD cover:

In honor of the 50th anniversary of Mitzi Gaynor's blockbuster film, Rodgers & Hammerstein's SOUTH PACIFIC and the 40th anniversary of her first televised special, MITZI GAYNOR: RAZZLE DAZZLE! THE SPECIAL YEARS is an all new documentary that captures the creative excellence, the briliant fusion of song and dance, the glamorous Bob Mackie costumes and the non-stop excitement that were the hallmark of her glittering annual television events. For 10 years, Mitzi Gaynor's annual specials captured the imagination of audiences the world over. Now, for the first time in three decades, experience the groundbreaking Emmy winning performances choreographed by some of the most inflential forces in the world of dance: Peter Gennaro (ANNIE, WEST SIDE STORY), Danny Daniels (THE TAP DANCE KID), Robert Sidney (THE DEAN MARTIN SHOW) and Tony Charmoli (WOMAN OF THE YEAR). Including newly taped interview with Miss Gaynor, Bob Mackie, Kristin Chenoweth, Carl Reiner, Kelli O'Hara, Rex Reed and rare photos and footage from Gaynor's personal archive that illuminate the behind-the scenes stories and impact of her landmark television events.

The present day chats between Bob Mackie and Mitzi Gaynor are worth the price of the DVD on their own! It's so nice to see genuine affection between two artists, and to hear the stories behind the costumes. And what costumes! Mitzi wears sequins, beads, beads and more beads, short dresses, long dresses, dresses that zip up and zip down. As they were always in gorgeous, bright colors! It's like my dream wardrobe! (I can't help it, I like shiny stuff). And the guys costumes are just as amazing!

Speaking of guys, the specials are always just Mitzi and "her dancing boys". No other women in sight! And I recognized on of those guys as a dancer on the Carol Burnett show! I don't know his name but he played the Yankee soldier in the Went With The Wind skit! My favorite special is Mitzi and 100 Guys -- it seemed she had literally every male 1970s tv star on that show! From Captain Stubing to Mannix! Two of my favorite dances are EVERYBODY LOVES MY BABY and PRETTY FOR ME from her first 1968 special Mitzi (watched by 33 million viewers!).

Mitzi seems like such a level-headed woman, someone who really enjoyed her career, and appreciated the good fortune she had, and laughs a lot. There's none of that bitterness or regret, or exploitation/substance abuse stories you so often see in stars when they look back at the "good old days". Not only that, but she was happily married to Jack Bean for over fifty years! I would love to go out to lunch with Mitzi Gaynor and hear more cool stories!

Mitzi Gaynor is currently touring with a one woman show (of course!) called MITZI GAYNOR RAZZLE DAZZLE - MY LIFE BEHIND THE SEQUINS. Here's hoping she comes to Seattle!

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One singular sensation of a movie!

Last night I went to the Landmark Harvard Exit movie theatre in Capitol Hill to see EVERY LITTLE STEP, the documentary about casting the revival of A CHORUS LINE.

FIrst of all, the Landmark Harvard Exit is one cool movie theatre! I'd never been before, and I almost drove right by it. The Landmark Harvard Exit is an old woman's club turned movie theatre.

From the theatre's website:

The theatre is located on a quaint, tree-lined street at the north end of Broadway, at Harvard and Roy on Seattle's Capitol Hill. The building in which The Harvard Exit currently resides was originally constructed as a clubhouse for The Woman's Century Club in 1925. The club continues to hold meetings in the lobby, although the building was sold in 1968 for conversion to a movie theatre. In the 1980s, a second auditorium was added in an unused ballroom space on the third floor of the building. One of the very first "art" theatres in Seattle, the Harvard Exit set the standard for the exhibition of independent film and foreign language cinema. Its large and glorious lobby retains a 1920s atmosphere, adorned with a fireplace, a grand piano and chandelier. A recent remodel adds a fully wheelchair accessible restroom on the main floor, expanded concession stand and an inside box office for those rainy Seattle nights.

I had seen the revival of A CHORUS LINE, so I was really excited to see the film. Also, a friend of a friend of ours, Natascia Diaz was figured prominently in the movie since it had come down to her and Charlotte D'Amboise for Cassie. I absolutely loved Natascia in JASQUES BREL at The Zipper.

What I didn't realize is how much footage we would get to see from the original 1975 production of A CHORUS LINE! As a "Hello 12, Hello 13" teenager I had lived and breathed that cast album (as a record of course) and sheet music when it was released, but had never seen the show until the revival in 2006.

Seeing Donna Mckechnie do The Music and The Mirror dance was unbelievable. She was other-worldly. Don't get me wrong, Charlotte D'Amboise was fantastic, but Donna Mckechnie defied description. You just have to see it. And she was just a wisp of a thing!


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It was really cool to seen the Director, Bob Avian, then (he had co-choreographed the original production) and now. He talked a lot about how casting was so difficult because besides the whole triple threat thing, the characters are really quite defined. You have a little bit of wiggle room in the type of person for each role, but not a lot. Marvin Hamlisch also provides commentary in the film and talks about the success of Dance Ten Looks Three only came when they changed the name to Dance Ten Looks Three from Tits and Ass. Giving away the joke of Tits and Ass in the title apparently killed the laughter. Also, in an earlier version of the show, Cassie doesn't get cast and the show got a lukewarm response from the audience. Once they changed the ending so Cassie got cast, they got standing ovations!

We also got to hear some of the the original tapes done by Michael Bennett with the original bunch of gypsies. This recording, done "one cold midnight" (January 18, 1974) was the material that spawned the characters and story lines for the final musical. Very, very cool.

The original Connie, Baayork Lee, was part of the creative team, and she was like a ball of energy. I loved the way she said the choreography for the opening number requires you to "eat nails". She was very particular about who got cast as Connie in the revival, and was hesitant to cast someone who people thought of as "cute"...as she says in the movie (and I paraphrase): "I'm not cute, I'm a survivor".

This casting process was incredibly drawn out ("four months later...eight months later") and must have been an incredible emotional journey for the dancers involved. When the director asks you to repeat the performance you gave four months ago and you honestly can't remember what it was you did, what do you do? The best you can. It was heart wrenching to see the ones who didn't get it, and incredibly uplifting to see the ones who did. What is also apparent is that there is a fine line between overly arrogant, and having good self esteem in such a tough, personal business. When is too much confidence a bad thing? You'll see in this movie.

And if you are wondering where to get your next pair of dance shoes, look no further than LaDuca's.

Kudos to everyone who came out for these auditions -- from the open call line up of people standing in the rain in New York's Time Square to the final recipients of the "you got it" calls.

This movie is a must see. So go see it. And hope they get it!




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It's time to see WICKED again!

Usually WICKED isn't on the top of my list of shows to see when I'm in New York. Don't get me wrong, I love the show, but I have seen it twice -- once on Broadway with the original cast, and once in Chicago. As well, we did the backstage tour, bought the t-shirts, sheet music, and the CD! Finally, you have the feeling it will run forever, so what's the rush?

Maria Eberline, a friend and extremely talented musical theatre performer, is making her Broadway debut in WICKED in July! Maria was previously in the first national tour as understudy for Elphaba and Nessa. She took a quick break to get married to Rick Todd Adams and have a baby, and now she is back to work in WICKED (ensemble/Elphaba and Nessa understudy) on Broadway! And she looks as gorgeous and svelte post-baby as she did pre-baby. How is this possible?

Congrats and break a leg Maria!

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