ENCHANTED APRIL AT TAPROOT THEATRE

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I was lucky enough to catch one of the last two performances of Taproot Theatre's ENCHANTED APRIL. Despite a devastating fire last week, Taproot Theatre, with the generous support of Seattle Children's Theatre, was able to mount two final shows on Saturday October 24.

However, the mad scrambling and exhaustion certainly didn't show in the performance, which was indeed, enchanted.

ENCHANTED APRIL, a play by Matthew Barber, from the novel by Elizabeth Von Arnim was directed by Karen Lund, and featured Charity Parenzini, Nikki Visel, Ryan Childers, Jerff Berryman, Anne Kennedy, Kim Morris, Aaron Finley and Llysa Holland.

I was originally interested in going to see this because of Anne Kennedy. Anne played Georgia (among other roles) in The 5th Avenue Theatre's Adventure Musical Theatre production of my musical THE MERCER GIRLS. She was fabulous in that, and in ENCHANTED APRIL. Wow, what a versatile, talented actress. And she totally rocked a bob wig and flapper dress.

From the website:

The enticement of an enchanting Italian holiday captivates the hearts of two British housewives on a drizzly London afternoon in 1922, and fills their imaginations with wisteria and sunshine. By the time they arrive at their Mediterranean villa, an aging matron and a young socialite have joined their quest for something more. The gardens, sea, cinnamon and macaroni are just the beginning of the transformation they discover.


From the program:


Enchantment and Femininity

In the spring of 1918, British women over the age of thirty were granted the right to vote. Later that year, the Great War ended with an armistice treaty declaring a ceasefire. Society was changing; many women were loudly asserting their right to equality while others asserted their right to remain invariable. In THE ENCHANTED APRIl, a 1922 novel by Elizabeth von Arnim, this dichotomy becomes clear. Von Arnim, not a feminist writer per se, wrote astute and romantic novels for popular readership, with autobiographical bits snuck into the pages. Her own ideas of femininity did not always agree with the social norms, nor did she directly identify with militant feminism. Her unique perspective, that women can have simultaneous independence, equality and togetherness with men through cleverness rather than militancy, is apparent in the novel and the subsequent play by Matthew Barber.

As Taproot Theatre moves forward from this disaster, they will need all the help they can get. Please help out if you can. You can charge your donation by phone by calling 206.529.3672 or online. All gifts to Taproot are tax-deductible as allowed by law.

By Suzy Conn on October 26, 2009 11:27 AM | | Comments (0)


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