All That Jazz

With the movie versions of Urinetown and Rent in process, it was very interesting to read the chapter on Chicago, The Movie in the Kander and Ebb book Colored Lights: Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz.


Composer John Kander and the late Lyricist Fred Ebb were the longest running composer-lyricist partnership in Broadway history, so they knew a thing or two about writing songs. When it came to making Chicago into a movie musical, I was surprised to find out they scarcely had any money participation in the project. On top of that they were treated horribly by Harvey Weinstein of Miramax (Wow, that's shocking!).

Kander and Ebb couldn't legally stop Miramax from putting a new song by the artist Anastacia called "Love Is A Crime" on the soundtrack. Apparently, Harvey didn't feel their music would attract enough young 'uns to buy the album...hmmm...how's that workin' for you Harvey? The Chicago soundtrack finished 25 on the Billboard top 100 albums for 2003!

However their contract did specifically prevent Miramax from putting new material (that they hadn't written) in the movie. However that didn't prevent Harvey from hiring Janet Jackson to write a new song for the movie for a fee of $300M! Apparently it too was horrible (is this a Miramax trend?). Kander and Ebb only found this out indirectly and when they objected Harvey suggested they collaborate with Ms. Jackson.

One of my favorite lines in the whole book is Fred Ebb's reaction to this suggestion:

Ebb: (laughing) That might have been fun, huh?

Then they had to actually fight to get their names higher up in the credits: Disgraceful!! I'm not sure why Harvey didn't think Kander and Ebb's music appealed to the younger crowd. Almost every 16-25 female who has auditioned for theater since that movie came out sings "All That Jazz"! Tsk, tsk.


Leave a comment